5/31/2023 0 Comments You were alway on mymindAlthough the gender of these two figures remains ambiguous, several features, such as the eyelashes, lips and hand, are suggestive of female forms. The title You were always on my mind seems to refer to the way in which the upper head in the composition appears to emerge from the mind of the figure beneath. I was also drawn towards the lotus flower, female deities, fertility symbols from Ancient Egypt, Papua New Guinea, New Zealand, India, Kenyan warrior shields and headwear, Sheela na Gigs from Ireland, many, many histories and images, all of which held the sacred yoni very high. In an interview with Eshun in October 2007, Mutu explained the research that led to these works: ![]() The critic Ekow Eshun suggested in 2008 that the plant and animal imagery seen in this exhibition represented ‘a shift by the artist towards more sensuous matter’ (quoted in Mutu 2008, unpaginated). Many of the paintings in the show integrated cut-out images of plants, flowers and animals – taken from natural history magazines and the internet – within their depictions of human forms, as part of a wider exploration of fertility and reproduction. You were always on my mind was first displayed in Mutu’s debut UK solo exhibition held at the Victoria Miro Gallery, London, in 2007, which was titled Yo.n.I – a reference to the Sanskrit word yoni that can mean ‘divine passage’, ‘place of birth’ or ‘sacred temple’. As is typical of her paintings, You were always on my mind was created on a type of polyester film that the artist favours for its synthetic, non-absorbent qualities. This work was made in 2007 in Brooklyn, New York, by the Kenyan artist Wangechi Mutu. The face of this upper head also incorporates paper cut-outs, including images of a fish, a section of orange coral and yellow flowers. The neck and large parts of the upper head are characterised by a moss-like surface of green, yellow and gold that is composed of acrylic paint, crystalline particles and glitter. Protruding from the back of the lower head are thin strips of self-adhesive plastic featuring a wood-effect pattern that have been cut into twig shapes. The figure’s neck is coated with red, green and gold glitter that is mixed together with an unevenly scattered series of small plastic beads of different sizes, while its arm (composed of plant and crustacean imagery) and hand (which reaches up to touch the chin) consist of further paper cut-outs. Several cut-out images on paper appear within this head, including a deep blue eye, a man dressed in Middle Eastern clothing and an animal skeleton. The lower and larger of the heads is mainly composed of pink and grey paint with the mottled colours running into one other to form a marbling effect. Both heads are shown in profile from their right side, with their distinct outlines carefully drawn with ink and water. The cloudy background is composed of a fine layer of white, black and grey acrylic paint that has been applied as a spray mist, with the outer edges much thicker and darker so that the central composition seems surrounded by light. Mounted onto a solid support, the painting is created on a thick sheet of tough, clear polyester film known as Melinex, the edges of which have been cut in gently undulating lines. This classic earned Nelson the “Song of the Year” award at the 1983 Grammys.You were always on my mind 2007 is a large portrait-orientated painting with collage elements that depicts two heads, one positioned on the top of the other. It became widely successful selling more than a million copies and later being voted as Elvis’ number-one recorded song in 2013. In 1982, the song became the first country song to be named Single of the Year by the Country Music Association.Įlvis Presley in 1972 recorded his version after his separation from wife Priscilla. ![]() This classic was penned by Mark James, Wayne Carson, Johnny Christopher and produced by Chips Moman.Ĭarson is said to have penned two verses of this track on his kitchen table in Missouri within ten minutes, and later completed it in 1971 with Christopher and James during a studio session. ![]() This Willie Nelson classic came out on Februoff his 1982 album also named Always on My Mind.
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